
From the 1920s to the early 1930s, Latin American literary and
aesthetic avant-gardes developed new images of geopolitical identity
that led, among other things, to a remapping of the region’s
cultural relations with Europe and the U.S. Although recent
scholarship on the avant-gardes has produced an extensive critique of
traditional Eurocentric views, much of the time it has failed to
fully incorporate Latin America in its “global” view.
Transcultural and transhemispheric studies on and from the region are
relatively rare, even in projects that aim to be comprehensive.
The
conference aims to gather voices and views from different places and
perspectives to discuss both Latin American presences in European and
Anglo-American spaces and vice-versa, in order to promote a more
balanced understanding of the avant-gardes. We welcome contributions
on literary and cultural dialogues between Latin America, Europe, and
the United States. We particularly encourage transhemispheric,
transcultural, and/or geopolitical perspectives.
Organizers: Dpt. of Modern Literature, Dpt. of Literary Theory
(Universidad de la República), and National Museum of Visual Arts.
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